The Photo Dept

Posts Tagged ‘backdrop’

Are you sick and uninterested in photographing (and viewing) the same old photos, time and time again? You’ve discovered that “green screen” is a path to go, except you don’t truly comprehend it or even know a great deal about it? This is all you must know to put it to use as a photography background!

Firstly…What is it?

You will hear the labels “green screen”, “blue screen”, and “chroma key” thrown around and employed interchangeably when discussing a photography background.

Chroma key simply could be defined as using a backdrop that is one solid, evenly illuminated color. The green and blue tend to be the most common hues. In fact, you are able to employ ANY color – however green and blue tend to be easiest. I am going to explain why that’s the case in a second.

Chroma key procedures can be used in either video and still work. You photograph somebody in front of the blue screen and then later (or concurrently working with high quality video cameras) you do away with the solid color and exchange it with any type of backdrop you would like!

That’s the way the local meteorologist does the weather report. They are standing in front of a green screen and the camera digitally removes it and inserts your local weather map. They are looking at themselves on a television monitor to find out where to point and so on. It is perplexing and more difficult than you might imagine in order to be a weather reporter!

Next…Why the colors blue or green?

Usually we tend to use green and blue because they are the furthest from the colors found in skin coloration. The technique was originally accomplished by blue, however as the quality of cameras changes, green appears to work more efficiently. It really is less difficult to strip from the backdrop, subsequently nearly all studios are switching to green. But it really does not do any harm to have both.

Another advantageous advantage for green is that it generates fewer apparel conflicts.

Since color is automatically stripped out and replaced, if the subject is wearing a shade of that color (blue) as part of their clothes…it will be changed. You’ll time and again see shirts and ties that turn into funny looking holes in the subject – showing through to the brand new background.

It’s even occurred among blue eyes!

Green tends to create less of a apparel conflict, it is less complicated for your cameras to work with also it’s simpler and easier to light evenly.

Smooth lighting is vital because shadows falling on the backdrop will show in the end effect. This could ruin the realism of the photography background. Plus, using uneven lighting, you’d obtain different shades of the color…some of which may not get eliminated properly.

The 3 main forms of green screen backdrops are: paint, fabric and paper.

Paint is good for those who have a studio with a cove and you do all your photos there…it’s of no use in the event you ever must shoot on location.

Paper can be purchased in huge rolls, but is easily ripped and continually needs replacing. This can get costly in a hurry.

Fabric tends to endure longest and is transportable. Plus material is simple to wash (unclean green screen backdrops don’t work well).

Any material store can provide some fabric that will accomplish the work. Get some and do some testing with your photography background, any photo editing program can strip out the color. Try it, you will enjoy it!

Have you gotten to the point of being sick and tired of shooting (and seeing) the identical old pictures, time and time again? You have heard rumors that “blue screen” may be the path to go, but you don’t really comprehend it or even know much about it? Here’s all it’s essential to understand to use it as a photography background!

First…What is it?

You’ll hear the labels “green screen”, “blue screen”, and “chroma key” thrown around and used interchangeably when discussing a photography background.

Chroma key basically could be defined as using a backdrop which is one un-patterned, evenly illuminated color. The blue and green are the most common colors. In fact, you may choose to work with ANY color – but blue and green are easiest. I’ll explain why that is the situation in a minute.

Blue screen systems can be employed for either video and still images. You photograph somebody in front of the green screen and then later (or at once working with high quality video cameras) you eliminate the solid color and exchange it with anything you wish!

This is how your local meteorologist does the weather report. They’re just in front of a blue screen and the camera digitally replaces it and inserts the area weather map. They’re just watching themselves with a television monitor to see where to point and so on. It really is perplexing and more difficult than you may think in order to be a weatherman/woman!

Next…Why blue or green?

Commonly we utilize green and blue since they are the furthest away from the colors present in skin tones. The procedure was initially done with blue, but as the quality of cameras changes, green tends to work better. It really is simpler to strip out of the backdrop, as a result nearly all studios are switching to green. Nevertheless it does not do any harm to own both of them.

An additional advantageous point for green is that it generates less clothing conflicts.

Considering that color is mechanically stripped out and replaced, if the subject has on a hue of that color (blue) in their apparel…it’s changed. You can frequently see shirts and ties that turn out to be funny appearing holes in the subject – showing through to the brand new background.

It has even happened among blue eyes!

Green tends to generate not as much of a clothing conflict, it truly is simpler for the cameras to work with also it’s easier to light evenly.

Even illumination is essential since shadows falling on the backdrop will show in the final result. This could ruin the realistic effect of the photography background. Plus, employing irregular lights, you’ll create altered hues of the color…several of which might not get stripped out properly.

The three chief forms of chroma key backdrops are: fabric, paper and paint.

Paint is good when you’ve got a studio having a cove and you do all your photography there…it really is useless should you ever would like to go on location.

Paper can be purchased in huge rolls, but is easily torn and regularly needs to be replaced. This may get pricey in a hurry.

Fabric tends to survive best and is portable. And material is simple to clean (grimy chroma key backdrops don’t work well).

Any material supplier can offer some material that will accomplish the job. Buy some and do some experimenting with your photography background, any photo editing program can strip out the color. Test it, you will like it!

Related Blogs

• Related Blogs on backdrop
• Photography Backdrops

• Related Blogs on Photo
• Guitar Hero 4

• Related Blogs on photo background
• Photography Background Paper | Blogging about photos
• How to change the background of a photo, resize and merge two photos
• 5 Questions to Ask Before Taking Your Next Photo – PhotographyBB …

• Related Blogs on photography background
• Photography Background Paper | Blogging about photos
• Digital Photography Backdrop | Web Intentions
• 5 Questions to Ask Before Taking Your Next Photo – PhotographyBB …
• Guest Post: Composition in Photography | Family Jewels – Canadian …
• Background Photography Studio | Everything Photography And More!

• Related Blogs on photography backgrounds
• Photography Backgrounds Free Download | Blogging about photos
• Backgrounds 2010 | Ilovethatphoto.net Photography Magazine
• The Photography Background – Transform YOUR Pictures From Blah To …
• Differences Between Candid Photography and Professional …
• Photography Background Paper | Blogging about photos

Are you sick and tired of photographing (and viewing) the identical old photos, over and over again? You have heard rumors that “chroma key” is the path to go, but you don’t really comprehend it or even know a great deal about it? Here is all you’ll want to know to apply it as a photography background!

Firstly…What is it?

You will hear the terms “green screen”, “blue screen”, and “chroma key” thrown around and used to mean the same thing when discussing a photography background.

Chroma key just means working with a backdrop which is one un-patterned, evenly lit color. The blue and green are the most common hues. In fact, you can make use of ANY color – but blue and green are best. I’ll make clear why that’s the situation in a second.

Blue screen procedures can be utilized inside both video and still pictures. You photograph someone in front of the blue screen then we later (or at once working with high end video cameras) you eliminate the solid color and exchange it using anything you need!

That’s how the local weatherman/woman does the weather report. They are in front of a chroma key and the camera digitally strips it out and puts in the local weather map. They are watching themselves with a monitor to determine where to point and so on. It’s perplexing and harder than you might imagine to be a weatherman!

Second…Why blue or green?

Generally we employ green and blue since they’re the farthest from the colors present in skin coloration. The technique was primarily done with blue, however as the quality of cameras improves, green tends to work more efficiently. It can be less difficult to strip out of the backdrop, therefore most studios are switching to green. Nevertheless it does not do any harm to possess both of them.

An additional good point for green is that it results in fewer clothing conflicts.

Considering that color is mechanically removed and substituted, if the subject has on a shade of that color (blue) in their apparel…it’s always substituted. You will frequently see shirts and ties that become curious appearing holes in the subject – showing through to the new background.

It’s even occurred among blue eyes!

Green tends to create less of a clothing conflict, it’s less complicated for the cameras to work with and it’s less difficult to light evenly.

Even light is essential since shadows falling on the backdrop will appear in the end result. This tends to damage the realism of the photography background. And, using irregular lights, you would induce altered hues of the color…some of which might not get stripped out properly.

The three major varieties of blue screen backgrounds are: fabric, paint and paper.

Paint is good when you have a studio that has a cove and you do all your projects there…it really is of no use in case you ever have to shoot on location.

Paper is available in large rolls, but is easily torn and continuously needs to be replaced. This could get expensive in a hurry.

Cloth tends to survive longest and is transportable. Plus fabric is easy to clean (dirty blue screen backgrounds won’t work well).

Any fabric supplier can provide some cloth that should accomplish the task. Obtain a little and do some testing with your photography background, any photo editing program is able to take out the color. Test it, you will enjoy it!

Have you gotten to the point of being sick and tired of capturing (and seeing) the identical old photography, over and over again? You’ve heard that “green screen” may be the route to go, except you don’t truly comprehend it or even know a lot about it? This is all it’s essential to understand to apply it as a photography background!

Firstly…What is it?

You’ll hear the expressions “green screen”, “blue screen”, and “chroma key” thrown about and employed to mean the same thing when discussing a photography background.

Chroma key just could be defined as having a backdrop that’s one un-patterned, uniformly lit color. The green and blue are the most common colors. In reality, you may choose to employ ANY color – however green and blue are best. I will explain why that is the case in a moment.

Chroma key procedures can be utilized inside either video and still photography. You photograph somebody in front of the blue screen and then we later (or simultaneously with high end video cameras) you eradicate the solid color and trade it using anything you want!

That is the way the local meteorologist does the weather report. They’re just standing in front of a green screen and the camera digitally strips it out and replaces it with your local weather map. They’re just looking at themselves with a monitor to see where to point and so on. That’s perplexing and harder than you may think to be a weather reporter!

Secondly…Why blue or green?

Typically we work with green and blue because they’re the farthest from the colors present in skin coloration. The technique was initially accomplished by blue, however as the quality of cameras improves, green tends to work better. It’s less difficult to strip out of the backdrop, so most studios are switching to green. However it does not do any harm to possess both of them.

Another good advantage for green is that it produces fewer apparel conflicts.

Since the color is automatically stripped out and replaced, if the subject has on a shade of that color (blue) as part of their clothes…it will be substituted. You can frequently see shirts and ties that turn into peculiar looking holes in the subject – showing through to the replacement background.

It’s even occurred among blue eyes!

Green tends to produce not as much of a apparel conflict, it’s a lot easier for the cameras to work with also it’s less difficult to light uniformly.

Flat illumination is essential because shadows falling on the backdrop will appear in the final result. This could damage the realism of the photography background. And also, using irregular illumination, you’ll create different shades of the color…some of which may not get stripped out correctly.

The three major forms of blue screen backgrounds are: paint, paper and fabric.

Paint is nice for those who have a studio using a cove and you do all your projects there…it really is of no use should you ever have to shoot on location.

Paper comes in huge rolls, but is easily torn and regularly needs to be replaced. This tends to get expensive in a hurry.

Material tends to survive best and is movable. And material is easy to clean (dirty blue screen backgrounds do not work well).

Any material store can offer some material that can do the job. Buy some and do some experimenting with your photography background, any photo editing program can strip out the color. Try it, you will enjoy it!

Are you sick and uninterested in capturing (plus seeing) the identical old pictures, time and time again? You’ve heard rumors that “green screen” is the path to go, however you do not truly comprehend it or even know a great deal about it? This is everything it’s essential to know to use it as a photography background!

Firstly…What is it?

You’ll hear the terms “green screen”, “blue screen”, and “chroma key” thrown about and employed interchangeably when discussing a photography background.

Chroma key basically means working with a backdrop which is one solid, uniformly illuminated color. The green and blue tend to be the most employed hues. Actually, you may choose to employ ANY color – however green and blue tend to be easiest. I will explain why that is the situation in a moment.

Chroma key procedures can be employed within both video and still photos. You photograph someone in front of the green screen and then later (or concurrently working with high quality video cameras) you subtract the solid color and supplant it using any type of backdrop you want!

It is how your local meteorologist does the weather report. They are standing in front of a green screen and the camera digitally deletes it and inserts your local weather map. They are watching themselves on the monitor to find out where to point and so on. It can be confusing and more difficult than you might imagine in order to be a weatherman/woman!

Secondly…Why green or blue?

Typically we tend to work with blue and green because they’re the farthest from the colors found in skin tones. The technique was originally done with blue, however as the standard of cameras changes, green seems to work more efficiently. It is simpler to strip out of the backdrop, subsequently nearly all studios are switching to green. But it does not do any harm to have both.

One more beneficial advantage for green is that it results in fewer apparel conflicts.

Considering that color is automatically stripped out and replaced, if the model has on a shade of that color (blue) as part of their clothing…it will be substituted. You’ll time and again see shirts and ties that develop into amusing looking holes in the model – showing through to the brand new background.

It’s even happened with blue eyes!

Green tends to make less of a apparel conflict, it can be a lot easier for your cameras to work with also it’s less difficult to light uniformly.

Flat light is essential because shadows falling on the backdrop will show in the ultimate product. This can destroy the realism of the photography background. Plus, using irregular lights, you’d obtain numerous hues of the color…several of which might not get stripped out accurately.

The 3 major sorts of chroma key backgrounds are: paper, fabric and paint.

Paint is nice for those who have a studio that has a cove and you do all your photos there…it really is worthless if you ever ever must shoot on location.

Paper comes in huge rolls, but is easily torn and continually needs to be replaced. This will get expensive in a hurry.

Material tends to last best and is portable. Plus material is simple to wash (dirty chroma key backgrounds don’t work well).

Any material supplier can offer some cloth that can accomplish the work. Get some and do some experimenting with your photography background, any photo editing program can strip out the color. Experiment with it, you’ll like it!

Related Blogs

• Related Blogs on backdrop
• Photography Backdrops

• Related Blogs on Photo

• Related Blogs on photo background
• How to change the background of a photo, resize and merge two photos
• 5 Questions to Ask Before Taking Your Next Photo – PhotographyBB …

• Related Blogs on photography background
• Digital Photography Backdrop | Web Intentions
• 5 Questions to Ask Before Taking Your Next Photo – PhotographyBB …
• Guest Post: Composition in Photography | Family Jewels – Canadian …
• Background Photography Studio | Everything Photography And More!

• Related Blogs on photography backgrounds
• Backgrounds 2010 | Ilovethatphoto.net Photography Magazine
• The Photography Background – Transform YOUR Pictures From Blah To …
• Differences Between Candid Photography and Professional …
• The Photography Background – Announcing A Brand New Tutorial For …

Have you gotten to the point of being sick and uninterested in shooting (and seeing) the identical old photos, over and over again? You’ve heard that “chroma key” could be the route to go, however you do not really comprehend it or even know a lot about it? Here is everything it’s essential to know to use it as a photography background!

Firstly…What exactly is it?

You’ll hear the labels “green screen”, “blue screen”, and “chroma key” thrown about and employed interchangeably when discussing a photography background.

Chroma key simply means having a background which is one solid, evenly lit color. The blue and green are the most employed colors. In fact, you may choose to make use of ANY color – but blue and green are easiest. I’ll make clear why that’s the case in a minute.

Blue screen strategies can be utilized inside either video and still photography. You photograph someone in front of the blue screen and then later (or concurrently using high end video cameras) you take out the solid color and trade it using any type of backdrop you desire!

It’s how your local meteorologist does the weather report. They are standing in front of a chroma key and the camera digitally removes it and replaces it with the local weather map. They are looking at themselves using a monitor to find out where to point and so on. It’s perplexing and more difficult than you might imagine to be a weatherman/woman!

Second…Why blue or green?

Usually we have a tendency to utilize green and blue since they are the farthest from the colors found in skin coloration. The technique was initially accomplished by blue, however as the standard of cameras changes, green appears to work better. It can be a lot easier to strip out of the background, as a result most studios are changing to green. But it does not hurt to have both.

An additional good advantage for green is that it results in fewer clothing conflicts.

Since color is automatically stripped out and replaced, if the model is wearing a hue of that color (blue) in their apparel…it is substituted. You will often see shirts and ties that become odd appearing holes in the model – showing through to the new background.

It has even occurred among blue eyes!

Green tends to bring about less of a clothing conflict, it can be less complicated for your cameras to work with and it’s a lot easier to light evenly.

Flat light is vital since shadows on the background will show in the final effect. This tends to ruin the realism of the photography background. Plus, working with irregular lights, you would obtain assorted shades of the color…several of which might not get deleted accurately.

The 3 primary sorts of chroma key backgrounds are: fabric, paint and paper.

Paint is useful when you have a studio with a cove and you do all your photos there…it is actually worthless if you ever have to shoot on location.

Paper can be purchased in huge rolls, but is easily ripped and continuously needs replacing. This could get pricey in a hurry.

Material tends to stay fresh best and is portable. Plus fabric is easy to clean (dirty chroma key backgrounds won’t work well).

Any fabric supplier can provide some fabric that should do the work. Buy some and do some experimenting with your photography background, any photo editing program is able to strip out the color. Experiment with it, you will like it!

If you’re excited about photography – and wish to get your images to a whole new, higher level – the important thing to success often is the photography background!

Among the significant distinctions between novice and expert photography is that the pro has learned to manage and manipulate the photography background – where the novice focuses all their concentration on the subject and frequently just lets the background happen on its own.

Ever been so caught up with your subject and lighting and so on that (when you check out the finished photo) you see a huge garbage can – behind your subject – spilling trash all over the ground? In every photograph? Plus you didn’t even see it during the photo shoot!

Or, maybe you have been guilty of having tree branches seeming to stick from the subject’s head, similar to antlers?

These are silly mistakes which can be easily handled and will rapidly enhance your photography’s impact.

The bad news is we don’t really notice how much better our images are! Let us face it; if you don’t have trash or antlers and so on, you never stop to think how much better your photograph is…you simply don’t notice. Our notice only comes to bear if we forget and screw up (we all do now and again).

If you’d like respect for your creative accomplishments, you can’t allow these problems into your images. This is a simple repair…just remember to look at the background and every one of the four corners within the viewfinder before you click the shutter button – after that you modify accordingly.

If you have a hard time remembering, get a piece of masking tape and jot down – in huge black letters – “CHECK THE BACKDROP”. And then attach the tape on the backside of the camera. It will help remind you until it becomes a habit.

You will never know how many photos you have rescued, however it’s definitely worth the effort.

The next most straightforward photography background practice – to make your subject “pop” out of your photo – would be to isolate them.

I am certain you have looked at images where the subject is in clear, razor-sharp focus – however the background is completely out of focus and is only a wash of color.

That’s accomplished by manipulating the depth of field.

Depth of field determines just how much of the photo is in focus. There are actually whole courses written regarding this subject (heck, I penned one myself!) but the easiest ways to achieve this “wash of color” technique are to:

1. Use the greatest focal length lens possible.
2. Open it up to the widest aperture workable – this would be the lowest f-stop number.
3. Make the background as far behind the subject as is feasible. Or else put the subject as far in front of the background as you possibly can.

Plainly each of the three steps has numerous variables. By adjusting the options offered to you, you can make your photography background as focused or de-focused as you choose. There’s no right or wrong.

Completely out of focus, partly in focus, sharp as a tack…this is now where your inventive eye comes into the picture.

When you’ve mastered your “in camera” techniques of manipulating the backdrops, next it is time to think about creating selected fabric backdrops. This would give your work a pro “studio” appearance.

A top notch quality background can literally cost hundreds if not thousands of dollars. So, instead of dishing out the big bucks, I recommend making your own. Happily a photography background is straightforward to create and can be made for pennies on the dollar.

Put some effort into your photography background and you can be shooting pro level images almost immediately.

Are you sick and uninterested in photographing (plus seeing) the identical old pictures, time and time again? You have discovered that “green screen” is the path to go, except you do not really comprehend it or even know a lot about it? Here’s all you must understand to apply it as a photography background!

Firstly…What is it?

You will hear the terms “green screen”, “blue screen”, and “chroma key” tossed around and employed to mean the same thing when discussing a photography background.

Chroma key merely could be defined as working with a backdrop that is one solid, uniformly illuminated color. The blue and green tend to be the most employed hues. In reality, you can work with ANY color – but blue and green tend to be best. I am going to explain why that is the case in a minute.

Chroma key strategies can be used for either video and still work. You shoot somebody in front of the blue screen and then we later (or concurrently working with high quality video cameras) you eliminate the solid color and exchange it with any type of backdrop you desire!

That is how your local meteorologist does the weather report. They are in front of a green screen and the camera digitally deletes it and puts in the area weather map. They are looking at themselves with a monitor to determine where to point and so on. That’s perplexing and harder than you may think to be a weather reporter!

Second…Why green or blue?

Normally we have a tendency to make use of blue and green because they’re the farthest away from the colors found in skin coloration. The technique was originally done with blue, but as the standard of cameras changes, green appears to work better. It really is a lot easier to strip from the backdrop, so most studios are changing to green. But it doesn’t do any harm to have both.

One more beneficial point for green is that it generates fewer clothing conflicts.

Since color is automatically eliminated and replaced, if the subject is wearing a hue of that color (blue) in their outfit…it’s always changed. You can often see shirts and ties that turn out to be peculiar appearing holes in the subject – showing through to the brand new background.

It’s even occurred among blue eyes!

Green tends to generate not as much of a clothing conflict, it’s a lot easier for the cameras to work with also it’s simpler and easier to light uniformly.

Uniform illumination is vital because shadows on the backdrop will show in the ultimate effect. This could destroy the realism of the photography background. Plus, employing irregular lights, you’d obtain several shades of the color…several of which might not get deleted accurately.

The 3 main kinds of blue screen backgrounds are: fabric, paper and paint.

Paint is useful if you have a studio using a cove and you do all your photography there…it can be of no use in case you ever have to go on location.

Paper is available in huge rolls, but is easily ripped and continually needs to be replaced. This can get expensive in a hurry.

Fabric tends to last longest and is transportable. Plus fabric is easy to wash (soiled blue screen backgrounds do not work well).

Any fabric store can offer some fabric that could accomplish the job. Get a little and do some experimenting with your photography background, any photo editing program is able to strip out the color. Experiment with it, you’ll enjoy it!

Are you sick and bored with capturing (and viewing) the same old photos, time and time again? You’ve discovered that “chroma key” could be the path to go, however you do not really comprehend it or even know much about it? This is all it’s essential to know to apply it as a photography background!

First…What exactly is it?

You’ll hear the labels “green screen”, “blue screen”, and “chroma key” tossed around and employed interchangeably when discussing a photography background.

Chroma key just could be defined as using a backdrop which is one solid, evenly illuminated color. The green and blue tend to be the most used hues. Actually, you may choose to work with ANY color – but green and blue tend to be easiest. I am going to make clear why that is the case in a second.

Blue screen procedures can be utilized during both video and still photos. You shoot somebody in front of the blue screen then we later (or at the same time with high quality video cameras) you get rid of the solid color and supplant it with any type of backdrop you desire!

This is the way your local meteorologist does the weather report. They are in front of a chroma key and the camera digitally deletes it and inserts the area weather map. They are looking at themselves on a monitor to see where to point and so on. It really is confusing and more difficult than you might imagine in order to be a weatherman/woman!

Next…Why use blue or green?

Commonly we have a tendency to make use of green and blue because they’re the farthest away from the colors found in skin coloration. The technique was primarily done with blue, but as the standard of cameras improves, green appears to work better. It’s simpler to strip from the backdrop, consequently nearly all studios are changing to green. Nevertheless it doesn’t hurt to possess both.

Another beneficial point for green is that it creates less apparel conflicts.

Since the color is mechanically eliminated and replaced, if the subject is wearing a hue of that color (blue) as part of their apparel…it is changed. You will often see shirts and ties that develop into weird appearing holes in the subject – showing through to the replacement background.

It has even happened with blue eyes!

Green tends to produce less of a apparel conflict, it happens to be a lot easier for the cameras to work with also it’s simpler and easier to light evenly.

Smooth lighting is vital because shadows falling on the backdrop will show in the ultimate product. This could destroy the realistic effect of the photography background. And, working with uneven lighting, you’d get numerous shades of the color…a number of which may not get deleted correctly.

The three primary sorts of chroma key backgrounds are: paper, paint and fabric.

Paint is useful when you have a studio with a cove and you do all your projects there…it really is of no use if you ever ever have to go on location.

Paper can be purchased in huge rolls, but is easily torn and constantly needs to be replaced. This may get costly in a hurry.

Material tends to endure best and is portable. Plus material is easy to wash (grimy chroma key backgrounds don’t work well).

Any material store can offer some cloth that should do the task. Buy a little and do some testing with your photography background, any photo editing program is able to take out the color. Try it, you’ll enjoy it!

Are you sick and bored with shooting (and seeing) the same old photos, over and over again? You have heard rumors that “blue screen” is a path to go, but you do not really comprehend it or even know much about it? Here’s everything you must understand to utilize it as a photography background!

First…What exactly is it?

You will hear the labels “green screen”, “blue screen”, and “chroma key” tossed about and used to mean the same thing when discussing a photography background.

Chroma key just means having a background that is one solid, uniformly illuminated color. The blue and green are the most used colors. In reality, you can make use of ANY color – but blue and green are best. I will make clear why that is the case in a second.

Chroma key procedures can be employed for both video and still pictures. You shoot somebody in front of the chroma key and then later (or simultaneously working with high end video cameras) you eliminate the solid color and supplant it with anything you would like!

That’s how the local meteorologist does the weather report. They’re just in front of a blue screen and the camera digitally strips it out and replaces it with your local weather map. They’re just looking at themselves with a monitor to determine where to point and so on. That’s confusing and harder than you might imagine to be a weatherman/woman!

Next…Why the colors green or blue?

Generally we utilize blue and green since they’re the farthest from the colors found in skin coloration. The procedure was originally done with blue, but as the quality of cameras improves, green seems to work better. It really is less difficult to strip from the background, so nearly all studios are changing to green. But it really doesn’t do any harm to get both of them.

Another beneficial point for green is that it produces fewer apparel conflicts.

Considering that color is mechanically removed and substituted, if the subject is wearing a hue of that color (blue) as part of their outfit…it’s always substituted. You’ll frequently see shirts and ties that turn out to be amusing looking holes in the subject – showing through to the brand new background.

It has even occurred with blue eyes!

Green tends to bring about not as much of a apparel conflict, it happens to be easier for the cameras to work with and it’s a lot easier to light uniformly.

Uniform illumination is vital since shadows falling on the background will show in the ultimate result. This tends to ruin the realism of the photography background. And also, working with uneven lights, you’ll create different shades of the color…some of which may not get stripped out correctly.

The 3 major sorts of blue screen backgrounds are: paper, paint and fabric.

Paint is good when you’ve got a studio which has a cove and you do all your photography there…it can be useless should you ever have to shoot on location.

Paper comes in big rolls, but is easily ripped and frequently needs replacing. This could get costly in a hurry.

Fabric tends to live longest and is transportable. Plus material is simple to wash (unclean blue screen backgrounds won’t work well).

Any material supplier can offer some material that should do the job. Get some and do some experimenting with your photography background, any photo editing program is able to strip out the color. Try it, you will like it!